By Matthew Richards
last updated
These are the best telephoto lenses for your camera, for Canon, Nikon, Fujifilm and more, both mirrorless and DSLR
Jump To:
- The quick list
- Canon
- Nikon
- Fujifilm
- Micro Four Thirds
- L-mount
- Pentax
- Sony
- How we test
- How to choose
- FAQs
If you're looking for the best telephoto lenses for your camera, look no further. We've drawn on our considerable experience testing and reviewing lenses to bring you this indispensable guide to the most capable long lenses for all the major systems.
The long focal length of a telephoto lets you fill the frame with distant subjects, meaning its most common applications are wildlife and sports photography. However, telephotos have plenty of other uses, as a narrow perspective can be handy in all sorts of fields. They're great for portraiture, flattering subjects and separating them nicely from the background. They even have a place in landscapes and architecture, providing a very different perspective than the wide-angle lenses more commonly used in these genres.
If you want to know more about why you might choose a telephoto lens, scroll to the bottom of this article where we've put together a beginner's guide on the different types of telephoto and what they're used for.We've covered telephoto lenses for all the major systems photographers are using: Canon (EF, EF-S, EF-M and RF), Nikon (F and Z), Sony, Fujifilm, Micro Four Thirds, L-mount and Pentax. We've divided the guide up into sections for each one, to make it easier for you to find the lens you're looking for. So, let's take a closer look
Matthew Richards
Matthew Richards is a photographer and journalist who has spent years using and reviewing all manner of photo gear. He is Digital Camera World's principal lens reviewer – and has tested telephoto lenses for every major camera system.
The quick list
1. Canon EF 70-300mm f/4-5.6 IS II USM
Best Canon DSLR lens
For Canon DSLR users, this telephoto zoom lens delivers generous reach and fast autofocusing, and is light enough to use with APS-C as well as full-frame.
Read more below
2. Canon RF 100-400mm f/5.6-8 IS USM
Best Canon mirrorless lens
Lightweight and relatively affordable, this telephoto zoom in the popular 100-400mm configuration is a great addition to any Canon EOS R camera user's kit bag.
Read more below
3. Nikon AF-S 80-400mm f/4.5-5.6G ED VR
Best Nikon DSLR lens
With generous reach and superfast ultrasonic ring-type autofocus, this lens is a superb companion for Nikon DSLRs — it performed brilliantly in our lab tests.
Read more below
4. Nikon Z 180-600mm f/5.6-6.3 VR
Best Nikon mirrorless lens
While it's not one of the premium 'S-Line' lenses for Z-mount, this wide-ranging zoom still delivers brilliant reach and quality for wildlife and sports photography.
Read more below
5. Fujifilm XF50-140mm f/2.8 WR OIS
Best Fujifilm X
A premium lens with a 75-210mm ‘effective’ zoom range, this fine Fujifilm zoom boasts a premium optical construction that delivers dazzling image quality without too much bulk.
Read more below
6. Panasonic Leica DG Vario-Elmar 100-400mm f/4-6.3 ASPH. POWER O.I.S.
Best Micro Four Thirds
The MFT crop factor means that this lens actually behaves like a 200-800mm in practice, which gives you some serious reach, aided by the effective Power OIS stabilization.
Read more below
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7. Panasonic Lumix S Pro 70-200mm f/4 OIS
Best L-mount
An outstanding lens that earned the full five stars in our tests, this is an ideal telephoto option for users of L-mount cameras, such as Panasonic's full-frame Lumix S series.
Read more below
8. Pentax 55-300mm f/4.5-6.3 DA PLM WR
Best Pentax
For users of APS-C K-mount DSLRs, this lightweight and versatile telephoto zoom is the natural choice. It's got all of Pentax's customary weather-sealing, and is perfect for traveling light.
Read more below
9. Sony FE 70-200mm F4 Macro G OSS II
Best Sony
Lightweight and portable, this workhorse 70-200mm lens for Sony FE-mount also has a pretty good line in macro imagery, thanks to its 0.5x magnification factor.
Read more below
Best telephoto lenses for every system – the full list!
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Canon
1. Canon EF 70-300mm f/4-5.6 IS II USM
A full frame lens that's also the best choice for Canon APS-C DSLRs
Specifications
Mount: Canon EF-S
Autofocus: Ultrasonic (nano)
Optical stabilizer: 4-stop
Minimum focusing distance: 1.2m
Maximum magnification ratio: 0.25x
Filter size: 67mm
Dimensions: 80x146mm
Weight: 710g
Reasons to buy
+ Fast ‘Nano USM’ autofocus Information display
Reasons to avoid
- Relatively big and heavy Lens hood is a pricey extra
Canon makes a pretty good EF-S 55-250mm f/4-5.6 IS STM telephoto zoom for its APS-C format SLRs. It’s compact and lightweight at 70x111mm and 375g. Measuring 80x146mm and weighing 710g, this full-frame compatible lens is naturally larger and nearly twice the weight but, for our money, it’s more than twice as good. As well as having more powerful telephoto reach, equivalent to 480mm in full-terms, it boasts a super-fast Nano USM autofocus system, a more effective image stabilizer, and delivers sharper image quality.
As a handling highlight, it also has an in-barrel information screen with an adjacent button for cycling through multiple modes. It’s our favourite telephoto zoom for APS-C format SLRs and also makes a great compact, budget telephoto for full-frame Canon cameras, including EOS R-series mirrorless models via a mount adapter.
Canon EF 70-300mm f/4-5.6 IS II USM full review
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2. Sigma 70-200mm f/2.8 DG OS HSM | S
The best telephoto lens for full frame Canon DSLRs
Specifications
Mount: Canon EF
Autofocus: Ultrasonic (ring)
Optical stabilizer: 4-stop
Minimum focusing distance: 1.2m
Maximum magnification ratio: 0.21x
Filter size: 82mm
Dimensions: 94x203mm
Weight: 1,805g
Reasons to buy
+ Superb handling and performance Fabulous image quality
Reasons to avoid
- Big and hefty for a 70-200mm f/2.8 Non-removable tripod mount ring
Canon’s own-brand EF 70-200mm f/2.8L IS III USM is a favourite with professional photographers all over the world but we prefer this direct competitor from Sigma. It’s similarly sturdy, with a magnesium alloy barrel and a full set of weather-seals, and boasts an optical path that includes no less than 11 top-performance FLD (‘Fluorite’ Low Dispersion) elements. Dual autofocus modes are available, giving priority to autofocus or manual override respectively. Focus on/hold buttons are built into the barrel, the action of which can be switched with some of Canon’s up-market cameras.
There are also two switchable custom modes which you can set up with Sigma’s optional USB Dock, for adjusting the likes of autofocus speed and the distance of the range limiter, as well as how visual the stabilization effect is in the viewfinder. Speaking of which, the stabilizer is slightly more effective than in the Canon lens. The only downsides are that the Sigma is a bit bigger and heavier than most 70-200mm f/2.8 lenses, and only the tripod foot is detachable rather than the whole mounting ring.
Sigma 70-200mm f/2.8 DG OS HSM | S full review
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3. Canon RF 70-200mm f/2.8L IS USM
The best telephoto lens for Canon EOS R-series, and both small and light
Specifications
Mount: Canon RF
Autofocus: Ultrasonic (dual nano)
Optical stabilizer: 5-stop
Minimum focusing distance: 0.7m
Maximum magnification ratio: 0.23x
Filter size: 77mm
Dimensions: 90x146mm
Weight: 1,070g
Reasons to buy
+ Great performance and image quality Relatively compact, lightweight build
Reasons to avoid
- Barrel extends during zooming Very expensive to buy
Bucking the trend for 70-200mm lenses, this new zoom for Canon EOS R-series cameras has an inner barrel that extends as you sweep through the zoom range. It has a tough, weather-sealed build befitting its expensive price tag. The telescoping nature of the construction naturally enables a more compact stowage size and the lens is also comparatively lightweight at just 1,070g. For the sake of comparison, Sigma’s 70-200mm f/2.8 for SLRs weighs 1,805g. Performance is exceptional, with lightning-fast autofocus driven by dual Nano USM actuators and triple-mode 5-stop optical stabilization. Sharpness is amazing throughout the entire zoom range, even when shooting wide-open at f/2.8.
Canon RF 70-200mm f/2.8L IS USM full review
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4. Canon RF 70-200mm f/4L IS USM
No bigger than a can of Coke (or beer), this is one compact telephoto lens
Specifications
Mount: Canon RF
Autofocus: Ultrasonic (dual nano)
Optical stabilizer: 5-stop
Minimum focusing distance: 0.6m
Maximum magnification ratio: 0.28x
Filter size: 77mm
Dimensions: 83.5x120mm
Weight: 695g
Reasons to buy
+ Incredibly compact design Up to 7.5 stops image stabilization
Reasons to avoid
- Not compatible with RF extenders Expensive for an f/4 lens
Only slightly bigger than a RF 24-105mm f/4 standard zoom, the Canon RF 70-200mm f/4L IS USM is an incredibly compact telephoto zoom lens. Weighing just 695g and no bigger than a can of Coke when collapsed, it is about the same length as the Canon EF 70-200mm f/4L IS II USM when fully extended. Just like the f/2.8L version above, the RF 70-200mm f/4L IS USM enjoys Canon's floating mechanism dual Nano USM system that provides high speed AF that’s ideal for both stills and video.
It's a shame that it's not compatible with the Canon Extender RF 1.4xandCanon Extender RF 2x, as the protrusions of these teleconverters will not physically fit, but it will deliver 5 stops of compensation when used on non-IBIS bodies like theCanon EOS RandCanon EOS RP. Even better is when you mount the lens on either theCanon EOS R5andCanon EOS R6, though, as it offers 7.5 stops of stabilization.
Canon RF 70-200mm f/4L IS USM full review
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5. Canon RF 100-400mm f/5.6-8 IS USM
A compact and affordable 100-400mm for Canon EOS R-series cameras
Specifications
Mount: Canon RF
Full-frame compatible: Yes
Autofocus type: Ultrasonic (ring-type)
Optical stabilizer: Yes
Minimum focus distance: 0.88m
Maximum magnification: 0.41x
Dimensions (WxL): 79.5x164.7mm
Weight: 635g
Reasons to buy
+ Reasonably priced Compact and lightweight
5.5-stop optical image stabilizer
Reasons to avoid
- Fairly slow f/5.6-8 aperture rating Lens hood is a pricey extra No weather-seals
Compact and lightweight for a super-telephoto zoom, the Canon RF 100-400mm f/5.6-8 IS USM looks and feels very much like shooting with a classic 70-300mm lens on an APS-C format camera. Naturally though, it’s designed for EOS R-series full-frame bodies, on which it’s an excellent fit, making for a slimline and easily manageable overall package. Autofocus is super-fast, image stabilization is highly effective and image quality is highly impressive in all respects, with the caveat that sharpness drops off noticeably when combining close focusing distances with the longest zoom setting. The aperture rating of f/8 at the long end of the zoom range might be a bit slower than some might like, but that’s the price you pay for the conveniently downsized design.
Canon RF 100-400mm f/5.6-8 IS USM full review
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6. Canon RF 200-800mm f/6.3-9 IS USM
This superzoom lens delivers simply unparalleled versatility
Specifications
Mount: Canon RF
Full-frame compatible: Yes
Autofocus type: Nano USM
Optical stabilizer: Yes (5.5 stops)
Minimum focus distance: 0.8-3.3m
Maximum magnification: 0.25-0.2x
Dimensions (WxL): 102.3 x 314.1mm
Weight: 2050g
Reasons to buy
+ Incredible zoom range Not too heavy, considering Compatible with teleconverters
Reasons to avoid
- Narrow variable aperture Some softness at 800mm
This attention-grabbing lens from Canon stakes out a claim to be the new king of the superzooms. Sometimes, lenses with showy focal ranges like the RF 200-800mm f/6.3-9 IS USM end up being too ambitious for their own good, but this lens impressed us in testing. It delivers excellent sharpness almost the whole way, with just a little softness at 800mm marring an otherwise impressive series of results. Also, it's compatible with Canon's teleconverters, in case somehow that isn't enough telephoto reach for you.
Of course, attaching a teleconverter will reduce the already modest aperture range even further, something you'll have to contend with when using this lens in anything other than bright conditions. It's still perfectly possible to isolate subjects against the background, but you may find yourself relying on that optical stabilization to lengthen shutter speeds more than you usually would.
Read more: Canon RF 200-800mm f/6.3-9 IS USM review
7. Canon EF-M 55-200mm f/4.5-6.3 IS STM review
This tidy telephoto zoom is well-suited to dinky EOS M cameras
Specifications
Mount: Canon EF-M
Full-frame compatible: No
Autofocus type: Stepping motor
Optical stabilizer: 3.5-stop
Minimum focus distance: 1m
Maximum magnification: 0.21x
Dimensions (WxL): 61x87mm
Weight: 260g
Reasons to buy
+ Lightweight build Impressively snappy autofocus
Reasons to avoid
- No weather seals Hood not included
Canon EOS M users needn't miss out on telephoto goodness. The Canon EF-M 55-200mm f/4.5-6.3 IS STM is a pleasingly compact zoom that complements the cameras it pairs with, and also provides great performance into the bargain. In our review, we were hugely impressed with the snappy autofocus, as well as the 3.5-stop image stabilisation that can be hugely helpful in a low-light pinch. The aperture rating is a little modest, and sharpness could be improved, but this is in general a good all-purpose telephoto for EOS M users.
Canon EF-M 55-200mm f/4.5-6.3 IS STM full review
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Nikon
8. Sigma 500mm F4 DG OS HSM Sports
One of the best-value telephoto primes out there
Specifications
Mount: Nikon F, Canon EF, Sigma
Autofocus: Hyper Sonic AF motor
Optical stabilizer: 4-stop
Minimum focusing distance: 3.5m
Maximum magnification ratio: 0.15x
Filter size: 46mm
Dimensions: 145x380mm
Weight: 3,310g
Reasons to buy
+ Blistering autofocus Excellent build and handling Cheaper than competitors
Reasons to avoid
- Very big and heavy
Playing Nikon and Canon at their own game, Sigma has come up with a hugely impressive telephoto prime that undercuts the price of the manufacturers' own-brand versions. The Sigma 500mm F4 DG OS HSM Sports is a tank, big and heavy, but with features and image quality to match. Its autofocusing is blisteringly quick, and it produces images that are beautifully sharp, aided by the optical stabiliser.
In short, it's basically everything a sports shooter could want; so much so in fact that it's a shame you can't get it in a native mirrorless mount for Sony or L-mount! Regardless, if you shoot with a Nikon, Canon or even Sigma camera (there are some of you out there), this is one of the best-value sports lenses you can get.
Sigma 500mm F4 DG OS HSM Sports full review
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9. Nikon AF-P 70-300mm f/4.5-5.6E ED VR
The best for DX Nikon DSLRs also fits full frame Nikon FX cameras
Specifications
Mount: Nikon F DX
Autofocus: Stepping motor
Optical stabilizer: 4.5-stop
Minimum focusing distance: 1.2m
Maximum magnification ratio: 0.25x
Filter size: 67mm
Dimensions: 81x146mm
Weight: 680g
Reasons to buy
+ Impressive 4.5-stop stabilization Fast, silent autofocus Budget option for Z-mount cameras (using FTZ adaptor)
Reasons to avoid
- No focus distance scale Incompatible with some older DSLRs
Nikon’s full-frame compatible 70-300mm lenses have been highly regarded since the heyday of 35mm film cameras but this latest edition is by far the best yet. Compared with the previous version, the 4.5-stop stabilizer adds two full stops of effectiveness and gains Nikon’s more recent ‘Sport’ mode, while the stepping motor-based autofocus system is both faster and practically silent in operation.
The lens also gains an electromagnetically controlled aperture diaphragm, which enables greater exposure consistency when shooting in rapid continuous drive. However, the autofocus system and aperture mechanism make the lens incompatible with some older Nikon DSLRs, including the D3000 and D5000. Image quality is super-sharp for this class of telephoto zoom, making it a great lightweight choice for both DX and FX format SLRs, as well as for mirrorless Z-series cameras via an FTZ mount adapter.
Nikon AF-P 70-300mm f/4.5-5.6E ED VR full review
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10. Nikon AF-S 80-400mm f/4.5-5.6G ED VR
This revamped telephoto zoom gives a little extra reach
Specifications
Mount: Nikon F FX
Autofocus: Ultrasonic (ring)
Optical stabilizer: 4-stop
Minimum focusing distance: 1.2m
Maximum magnification ratio: 0.21x
Filter size: 82mm
Dimensions: 94x203mm
Weight: 1,805g
Reasons to buy
+ Solid build quality Not overly weighty Very good performance
Reasons to avoid
- Not a constant-aperture zoom A little lacking in reach Pricey to buy
A 70-300mm lens is all very well, as is a 100-400mm lens, but this Nikon optic has an edge over both. The Nikon AF-S 80-400mm f/4.5-5.6G ED VR is a revitalised version of an original lens that was something of a misfire, but a lot of those problems have no been corrected – the most glaring one being that the first lens's dreadfully slow autofocus, which is now rectified with a super-fast ultrasonic ring-type autofocus motor. In our lab tests, we were also impressed with the sharpness of the Nikon AF-S 80-400mm f/4.5-5.6G ED VR, especially in the centre. It's an all-around excellent lens, especially for such a generous zoom range.
Nikon AF-S 80-400mm f/4.5-5.6G ED VR full review
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11. Nikon Z DX 50-250mm f/4.5-6.3 VR
The only 'native' telephoto for the APS-C Nikon Z 50 so far is really good
Specifications
Mount: Nikon Z DX
Autofocus: Stepping motor
Optical stabilizer: 5-stop
Minimum focusing distance: 0.5-1.0m
Maximum magnification ratio: 0.23x
Filter size: 62mm
Dimensions: 74x110mm
Weight: 405g
Reasons to buy
+ Compact, retractable design 5-stop Vibration Reduction system
Reasons to avoid
- Small aperture rating at the long end Plastic mounting plate
Despite its powerful ‘effective’ zoom range of 75-375mm in full-frame terms, this DX format is particularly compact and lightweight, ideally matched to the diminutive Nikon Z 50 mirrorless camera body. Part of the weight-saving comes from a plastic rather than metal mounting plate, but the overall build still feels pretty sturdy. A retractable design enables a compact stowage size, as also featured in its Z DX 16-50mm stablemate. Both have a relatively ‘slow’ f/6.3 aperture rating at the long end of the zoom range, but the telephoto zoom’s highly efficient 5-stop stabilizer helps to keep things steady. Ideal for shooting movies as well as stills, autofocus is virtually silent and the customizable control ring enables silent, stepless aperture control as well as alternative functions.
Nikon Z DX 50-250mm f/4.5-6.3 VR full review
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12. Nikon Z 70-200mm f/2.8 VR S
This is the best telephoto lens for Nikon's full frame Z mirrorless cameras
Specifications
Mount: Nikon Z FX
Autofocus: Stepping motor
Optical stabilizer: 5.5-stop
Minimum focusing distance: 0.5-1.0m
Maximum magnification ratio: 0.2x
Filter size: 77mm
Dimensions: 89x220mm
Weight: 1,440g
Reasons to buy
+ Typically spectacular S-line image quality High-tech design
Reasons to avoid
- Weighty as usual for a 70-200mm f/2.8 Very expensive to buy
The Nikon Z series includes some excellent mirrorless full-frame cameras but the most impressive thing about the system overall is the razor-sharp image quality delivered by Nikon’s Z-mount ‘S-line’ lenses. The 70-200mm f/2.8 hits new heights, thanks to a premium optical design that includes two aspherical elements, one fluorite element, no less than six ED (Extra-low Dispersion) elements and an SR (Short-wavelength Refractive) element. ARNEO Coat and Nano Crystal Coat are also applied to minimize ghosting and flare.
Other highlights include hugely effective 5.5-stop optical VR (Vibration Reduction) and super-fast yet virtually silent autofocus system. Everything’s wrapped up in a solid, weather-sealed casing with a fluorine coating on the front element. Dual customizable Lens-function buttons and a customizable control ring enhance handling although, typical of 70-200mm f/2.8mm lenses, it’s quite big and heavy.
Nikon Z 70-200mm f/2.8 VR S full review
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13. Nikon Z 100-400mm f/4.5-5.6 VR S
Longer reach and top performance - a tempting telephoto for Nikon Z cameras
Specifications
Mount: Nikon Z
Full-frame compatible: Yes
Autofocus type: Ultrasonic (ring-type)
Optical stabilizer: Yes
Minimum focus distance: 0.75-0.98m
Maximum magnification: 0.38x
Filter thread: 77mm
Dimensions (WxL): 98x222mm
Weight: 1,355g (1,435g with tripod collar)
Reasons to buy
+ Superb image quality Fast autofocus and 5.5-stop VR Compatible with Z tele-converters
Reasons to avoid
- Large, weighty construction Stiff hood with our review sample Pricey to buy
It’s been a long wait, but now we have a 100-400mm lens for Nikon’s Z-mount mirrorless cameras. And it’s a lens that’s certainly been worth the wait, as the Z 100-400mm f/4.5-5.6 VR S is bristling with technology and handling exotica, and it delivers first-rate performance in all respects. You get rapid autofocus and highly effective 5.5-stop VR with superb image quality. All-round performance is top-drawer, while handling is enhanced by customizable function buttons and an additional ‘de-clicked’ control ring, along with a multi-function OLED display. It’s a weighty lens with a hefty price tag, but a worthy Z-mount addition.
Nikon Z 100-400mm f/4.5-5.6 VR S full review
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14. Nikon Z 180-600mm f/5.6-6.3 VR
An absolutely brilliant lens for wildlife applications, at a reasonable price
Specifications
Mount: Nikon Z
Full-frame compatible: Yes
Autofocus type: Linear stepping motor
Optical stabilizer: Yes (5.5 stops)
Minimum focus distance: 1.3-2.4mm
Maximum magnification: 0.25x
Filter thread: 95mm
Dimensions (WxL): 110x315.5mm
Weight: 1,955g (2,140g with tripod collar)
Reasons to buy
+ Monster zoom range Sharp throughout 5.5-stop stabilization
Reasons to avoid
- Inevitably bulky Modest aperture rating (inevitably)
With a huge zoom range, the Nikon Z 180-600mm f/5.6-6.3 VR is one of the most versatile lenses in the Z-mount line-up. For wildlife, sports, aviation and similar pursuits, it's absolutely superb, delivering crystal-clear sharpness right the way through that zoom range. With a viewing angle of just 13.7 degrees at the short end through to just 4.1 degrees at the long end, it's a lens that can provide a real range of perspectives. You also get an effective 5.5-stop stabilization system that helps you keep things under control when working at long focal lengths.
It's undeniably a heavy lens, but that's priced into the concept really. This lens hugely delivered in a range of shooting situations when we put it to the test in our full review, and anyone looking for a do-it-all sports or wildlife lens will not be disappointed.
Read more: Nikon Z 180-600mm f/5.6-6.3 VR review
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15. Nikon Z 400mm f/2.8 TC VR S
Money no object? Here's one of the finest telephoto primes ever made
Specifications
Mount: Nikon Z
Full-frame compatible: Yes
Autofocus type: Silky Swift Voice Coil Motor
Optical stabilizer: 5.5-stop
Minimum focus distance: 2.5m
Maximum magnification: 0.17x
Filter thread: Rear, drop-in
Dimensions (WxL): 156x380mm
Weight: 2,950g
Reasons to buy
+ Mind-bending performance Built-in tele-converter
Reasons to avoid
- Incredibly expensive Very heavy
Fair enough, not many people are going to get past that price tag. But we couldn't help including the Nikon Z 400mm f/2.8 TC VR S, one of the most stunning lenses we've ever reviewed, and one of the best telephotos ever made. This gives the Z-mount line real heft, and is a worthy companion to the stunning Nikon Z9. Its built-in 1.4x teleconverter is designed to complement the optical qualities of the lens, and gives you even more reach. In terms of performance, the lens is faultless. Sharpness is frighteningly good, autofocus performance is blistering, the stabilisation is rock-steady. This is a lens you could shoot with for the rest of your life and never feel like you were missing out.
But all right, not everyone has $14,000 to spend on a lens. For some excellent, less wallet-lightening alternatives for Nikon Z, consider the Nikon Z 400mm f/4.5 VR S, or the super-telephoto Nikon Z 800mm f/6.3 VR S, both of which received the full five stars in our reviews.
Nikon Z 400mm f/2.8 TC VR S full review
Fujifilm
16. Fujinon XC50-230mm f/4.5-6.7 OIS II
This 370g telephoto zoom can come with you just about anywhere
Specifications
Mount: Fujifilm X
Autofocus: Stepping motor
Optical stabilizer: 3.5-stop
Minimum focusing distance: 1.1m
Maximum magnification ratio: 0.2x
Filter size: 58mm
Dimensions: 70x111mm
Weight: 370g
Reasons to buy
+ Lightweight and portable Highly affordable for this range
Reasons to avoid
- Plasticky build Sharpness not amazing
This telephoto zoom from Fujifilm is not just budget-friendly, but back-friendly too, as you won't be breaking yours carrying it around all day. Weighing in at an impressively slender 370g, it complements well the relatively light X-series mirrorless cameras, and for many Fuji users, it might be the first additional lens they buy after their kit lens. If you do, you'll appreciate the generous maximum magnification ratio, the 3.5-stop stabilizer, and the reliable autofocus. When we subjected the lens to our lab testing, we found that its sharpness was good rather than great. Some users may also bemoan the fact that the mounting plate is plastic, not metal. These are expected compromises you'll make for a lens this small and this cheap – you just need to be aware of what you're in for going in.
Fujinon XC50-230mm f/4.5-6.7 OIS II review
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17. Fujinon XF100-400mm f/4.5-5.6 R LM OIS WR
A superb lens for outdoor photography like sports and wildlife
Specifications
Mount: Fujifilm X
Autofocus: Linear stepping motor
Optical stabilizer: 5-stop
Minimum focusing distance: 1.75m
Maximum magnification ratio: 0.19x
Filter size: 77mm
Dimensions: 95x211mm
Weight: 1,375g
Reasons to buy
+ Fast, accurate autofocus Good weather sealing
Reasons to avoid
- Almost 1.4kg No AF-on/hold buttons
On an Fujifilm X APS-C sensor, this powerful telephoto zoom can deliver a maximum focal length of 609mm, and this plus its extensive weather-sealing makes it an excellent choice for outdoor wildlife photography. It's also got fast, accurate autofocus that can handle moving subjects, as well as a 5-stop optical stabilisation system that lives up to its billing. In our review, we found sharpness to generally be very impressive in real-world situations, with some fall-off detected in lab tests, and distortion was controlled exceptionally well. This is a really powerful lens for Fujifilm users, though be aware that at almost 1.4kg it is on the heavy side.
Fujinon XF100-400mm f/4.5-5.6 R LM OIS WR review
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18. Fujifilm XF50-140mm f/2.8 WR OIS
The premium fast telephoto zoom for X-mount cameras
Specifications
Mount: Fujifilm X
Autofocus: Stepping motor
Optical stabilizer: 5-stop
Minimum focusing distance: 1.0m
Maximum magnification ratio: 0.12x
Filter size: 72mm
Dimensions: 83x176mm
Weight: 995g
Reasons to buy
+ High-tech, high-performance optics Fast autofocus, 5-stop stabilizer
Reasons to avoid
- A bit on the weighty side Fairly pricey to buy
Fujifilm’s telephoto zoom offerings for its X-mount cameras include the compact and budget-friendly XC50-230mm f/4.5-6.7 OIS II, and the more advanced, highly capable XF55-200mm f/3.5-4.8 R LM OIS. However, for the ultimate in performance, build quality and overall image quality, this XF50-140mm f/2.8 WR OIS lens is the one to go for. Taking the 1.5x crop factor into account, it has a 75-210mm ‘effective’ zoom range, competing with popular 70-200mm f/2.8 lenses for full-frame cameras.
High-end glass includes five ED (Extra-low Dispersion) elements and one Super ED element, along with high-tech HT-EBC (High Transmittance Electron Beam Coating) and Nano-GI (Gradient Index) coating. It’s not overly large for an APS-C format lens, despite having fully internal zoom and focus mechanisms, the latter being driven by a speedy triple linear motor. There’s also a highly effective 5-stop optical image stabilizer. Everything’s built into a particularly tough and durable package and, if you feel the need for a little extra reach, optional kits are available that include either a 1.4x or a 2.0x teleconverter.
See our full Fujifilm XF50-140mm f/2.8 WR OIS review
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Micro Four Thirds
19. Panasonic Leica DG Vario-Elmar 100-400mm f/4-6.3 ASPH. POWER O.I.S. Lens
A versatile zoom range in a lightweight and tough lens
Specifications
Mount: Micro Four Thirds
Autofocus: Yes
Optical stabilizer: Power OIS
Minimum focusing distance: 1.3m
Maximum magnification ratio: 0.5x
Filter size: 72mm
Dimensions: 83 x 171.5mm
Weight: 985g
Reasons to buy
+ Compact and durable Impressive stabilisation
Reasons to avoid
- f/6.3 at tele end Soft at tele end
The 100-400mm focal range is hugely popular – there's a reason that our best 100-400mm lenses guide has so many entries! It's a versatile focal range for telephoto shooting, making a broad range of subjects possible to capture, and the Panasonic Leica DG Vario-Elmar 100-400mm f/4-6.3 ASPH. POWER O.I.S. Lens is a fine example. Of course, the fact that it's a Micro Four Thirds lens means that it actually performs like a 200-800mm lens, making it all the more potent for telephoto shooting.
The Power OIS stabilization system is hugely impressive, though the lens does lack the switchable stabilization modes that some comparable optics have. Image quality is generally very good, especially at the wide end, with a slight sharpness drop-off towards the telephoto end of the zoom. The relative lightness of the lens is welcome too, especially for MFT users who are working with smaller, lighter system cameras.
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20. Panasonic Lumix G Vario 45-150mm f/4.0-5.6 Asph Mega OIS
The best affordable telephoto for Micro Four Thirds cameras
Specifications
Mount: Micro Four Thirds
Autofocus: Stepping motor
Optical stabilizer: 2-stop
Minimum focusing distance: 0.9m
Maximum magnification ratio: 0.17x
Filter size: 52mm
Dimensions: 62x73mm
Weight: 200g
Reasons to buy
+ Compact, lightweight build Inexpensive to buy
Reasons to avoid
- Relatively ineffective optical stabilizer Feels a bit plasticky
With their downsized image sensors, Micro Four Thirds cameras have a 2x crop factor that extends the telephoto reach of lenses. Indeed, the Panasonic 45-150mm gives has an ‘effective’ zoom range of 90-300mm but is still impressively small and weighs a mere 200g, making it a good match on even the most compact and slim-line Olympus and Panasonic camera bodies. The optical design includes two aspherical elements and an ultra-high refractive index element, autofocus is fast and near-silent, and the lens has a ‘Mega Optical Image Stabilizer’. No official rating is given for the last of these but, in our tests, it only gave an effectiveness equivalent to about two stops. Even so, the lens delivers very pleasing image quality and is remarkably inexpensive to buy. All things considered, it’s knockout value for money - see our full Panasonic Lumix G Vario 45-150mm f/4.0-5.6 Asph Mega OIS review.
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L-mount
21. Panasonic LUMIX S 70-300mm F4.5-5.6 MACRO O.I.S.
L-mount gets a pricey but capable 70-300mm telephoto
Specifications
Mount: L-mount
Lens construction: 17 elements in 11 groups
Angle of view: 8.3 to 34 degrees
Minimum focus distance: 0.54m
Maximum magnification ratio: 0.5x
Filter size: 77mm
Dimensions: 84x148mm
Weight: 790g
Reasons to buy
+ Good weather-sealed build Excellent, snappy autofocus
Reasons to avoid
- A bit pricey On the bulky side
It took a little while for L-mount to get a 70-300mm lens, but the Panasonic LUMIX S 70-300mm F4.5-5.6 Macro O.I.S. is worth the wait (and worth the weight). An optically stabilised lens with a fast, capable autofocus system, it provides a speedy and effective way to shoot telephoto subjects. The eleven-bladed aperture is a nice touch too, ensuring the lens can produce pleasing bokeh for portraits that pop.
The price is a little on the high side, as it puts the lens in a similar bracket to the likes of Sony's G Master lens or Canon's L glass. Is it on a par with these lenses in quality terms? Not quite. There are a few softness issues when shooting wide open at the telephoto end, which are expected in most lenses, but arguably not ones at this price. Still, let's not get carried away: this is a highly effective and capable telephoto for L-mount, and having that extra 100mm of reach opens up all sorts of shooting possibilities.
22. Panasonic Lumix S Pro 70-200mm f/4 OIS
The smart telephoto option for L-mount cameras
Specifications
Mount: L-mount
Lens construction: 23 elements in 17 groups
Angle of view: 34 to 12 degrees
Minimum focus distance: 0.92m
Maximum magnification ratio: 0.25x
Filter size: 77mm
Dimensions: 84x179mm
Weight: 985g
Reasons to buy
+ Autofocus is very fast and virtually silent Removable Arca-Swiss tripod ring
Reasons to avoid
- Unusual push-pull focus ring Quite pricey for a 70-200mm f/4 lens
This telephoto zoom weighs in at just under a kilogram and makes for well-balanced shooting with Panasonic S-series cameras. The combination is also perfectly balanced on a monopod or tripod, if you use the removable tripod mounting ring that’s supplied with the lens. The high-tech optical path delivers sumptuous image quality and the constant f/4 aperture rating enables a fairly tight depth of field, while the quality of bokeh is nice and smooth. Autofocus is super-fast and the built-in optical image stabilizer works in conjunction with the 5-axis, sensor-shift stabilizers of S-series bodies to deliver up to 6-stop performance. It’s quite pricey for a 70-200mm f/4 zoom but you definitely get what you pay for, and it’s only about two-thirds the weight of the pricier Panasonic Lumix S 70-200mm f/2.8 zoom.
Panasonic Lumix S Pro 70-200mm f/4 OIS review
23. Sigma 100-400mm f/5-6.3 DG DN OS | C
Sigma’s popular 100-400mm lightweight zoom, re-engineered
Specifications
Mount: L-mount
Lens construction: 22 elements in 16 groups
Angle of view: 24 to 6 degrees
Minimum focus distance: 1.1m
Maximum magnification ratio: 0.24x
Filter size: 67mm
Dimensions: 86x197mm
Weight: 1,135g
Reasons to buy
+ Powerful telephoto zoom range Relatively compact and lightweight
Reasons to avoid
- Narrow aperture at long zoom settings Pricier than older DSLR version
Nicknamed the ‘light bazooka’, Sigma launched a relatively compact and lightweight 100-400mm zoom for Canon and Nikon DSLRs back in 2017. Three years down the line, this new ‘DN’ edition is now available for Leica L and Sony E mount mirrorless cameras. The optical path is upgraded and includes a top-notch FLD (‘Fluorite’ Low Dispersion) element, in addition to four SLD (Special Low Dispersion) elements. Other enhancements include a customizable Focus-lock button and a TS-111 tripod mounting ring, which is available as an optional extra (£139/$130). We’ve found the new DN lens to be sharper than the original design, throughout the entire zoom range. Overall, it’s an excellent performer at a very attractive price.
Read more: Sigma 100-400mm f/5-6.3 DG DN OS | C review
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Pentax
24. Pentax 55-300mm f/4.5-6.3 DA PLM WR
The best telephoto lens for Pentax APS-C DSLRs
Specifications
Mount: Pentax K
Autofocus: Stepping motor
Optical stabilizer: None
Minimum focusing distance: 0.95m
Maximum magnification ratio: 0.3x
Filter size: 58mm
Dimensions: 77x89mm
Weight: 442g
Reasons to buy
+ Quick and quiet autofocus system Compact, retractable design
Reasons to avoid
- Relies on sensor-shift stabilization Slight loss of sharpness at full zoom
This Pentax lens is remarkably small for a 55-300mm zoom, partly because it’s designed exclusively for APS-C format cameras but mostly because it has a retractable design for compact storage. There’s nothing small about the zoom range, however, which is equivalent to 82.5-450mm on a full-frame camera. Build quality is very good, featuring weather-seals and a fluorine coating on the front element, while optical highlights include ED elements and Pentax’s HD coating to reduce ghosting and flare.
The stepping motor-based autofocus system is ultra-quiet compared with some Pentax lenses, but is still audible and not particularly fast. Pentax’s ‘Quick-Shift Focus System’ enables easy switching between autofocus and manual focus. There’s no optical stabilizer, the lens instead relying on the sensor-shift stabilization of Pentax camera bodies, which isn’t always ideal when shooting with telephoto lenses. Image quality is very good overall but sharpness drops off a bit at the long end of the zoom range (see our full Pentax 55-300mm f/4.5-6.3 DA PLM WR review).
25. HD Pentax D FA* 70-200mm f/2.8 ED DC AW
A heavyweight contender for serious Pentax DSLR users
Specifications
Mount: Pentax K
Lens construction: 19 elements in 16 groups
Angle of view: 34.5-12.5 degrees
Minimum focus distance: 1.2m
Maximum magnification ratio: 0.13x
Filter size: 77mm
Dimensions: 92x203mm
Weight: 1,755g
Reasons to buy
+ Robust, weather-resistant build High quality optical path Quick-shift autofocus system
Reasons to avoid
- Quite weighty for this class of lens No optical image stabilization
This ‘all-weather’ lens from Pentax’s full-frame stable is typically solid and well-built, with a ‘*’ designation that denotes top performance. As such, the optical path includes four super-low dispersion elements, two ED (Extra-low Dispersion) elements and a pair of Super ED glass elements, which have similar optical properties to fluorite glass. Exotic coatings include nano-structure Aero Bright Coating II and multi-layer HD Coating, plus a Super Protect coating on the front element to repel moisture and grease. The lens employs Pentax’s ‘Quick-Shift’ focus system, which enables instant swapping between autofocus and manual focusing, while autofocus comes with switchable auto-priority and manual-priority modes. It’s quite weighty for a 70-200mm f/2.8 lens but the tripod mounting collar is completely removable. Image quality and overall performance are impressive on Pentax’s full-frame DSLRs, while the ‘effective’ zoom range is boosted to 107-307mm on an APS-C format body. See our full HD Pentax-D FA* 70-200mm f/2.8 ED DC AW review.
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Sony
26. Sony E 70-350mm f/4.5-6.3 G OSS
One of two superb new lenses for Sony’s APS-C mirrorless cameras
Specifications
Mount: Sony E
Autofocus: Stepping motor
Optical stabilizer: 3-stop
Minimum focusing distance: 1.1-1.5m
Maximum magnification ratio: 0.23x
Filter size: 67mm
Dimensions: 77x142mm
Weight: 625g
Reasons to buy
+ Supersized 5x zoom range Impressive build quality
Reasons to avoid
- Stabilization could be better Expensive given the variable aperture
Sony recently launched a highly impressive pair of up-market lenses for its A6000-series cameras, in the shape of the E 16-55mm f/2.8 G standard zoom and this telephoto lens. Unlike its smaller companion, the telephoto zoom doesn’t have a fast, constant aperture rating and drops to f/6.3 at the long end. Even so, that’s not uncommon for recent zoom lenses for mirrorless cameras, from a variety of manufacturers. The upside is that the zoom range is particularly generous, equating to 105-525mm in full-frame terms and taking the lens into super-telephoto territory.
One aspherical element and three ED (Extra-low Dispersion) elements are featured in the premium optical design. An XD (eXtreme Dynamic) linear motor powers the high-speed autofocus system, which includes a customisable focus hold button on the side of the barrel. No official rating is given for the Optical SteadyShot system but it gave a mediocre 3-stop effectiveness in our tests. The weather-sealed build is impressively robust but reasonably lightweight. Image quality is superb.
Sony E 70-350mm f/4.5-6.3 G OSS review
27. Sony FE 70-200mm f/2.8 G Master OSS
Sony's pro 70-200mm E-mount lens, with all the bells and whistles
Specifications
Mount: Sony FE
Lens construction: 23 elements in 18 groups
Angle of view: 34-12.5 degrees
Minimum focus distance: 0.96m
Maximum magnification ratio: 0.25x
Filter size: 77mm
Dimensions: 88x200mm
Weight: 1,480g
Reasons to buy
+ Excellent image quality Advanced handling Tough construction
Reasons to avoid
- Expensive to buy Mediocre optical stabilizer
Sony’s flagship full-frame compatible 70-200mm zoom for its E-mount mirrorless cameras has G Master status, delivering superb sharpness along with beautifully smooth bokeh, aided by a well-rounded 11-blade aperture diaphragm. Posh glass includes a mix of nine Aspherical, XA (eXtreme Aspherical), ED (Extra-low Dispersion) and Super ED elements, in the 23-element line-up. Nano AR coating is applied to minimise ghosting and flare.
The lens is strongly built with multiple weather-seals, autofocus is very rapid, and handling benefits from a switchable dual-mode optical image stabilizer, a focus range limiter switch, and multiple autofocus hold buttons. We found the performance of optical stabilization to be fairly mediocre but it’s boosted when combined with the in-body stabilizers featured in recent Sony mirrorless cameras.
Sony FE 70-200mm f/2.8 G Master OSS review
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28. Tamron 70-300mm f/4.5-6.3 Di III RXD
The most affordable Sony E telephoto, but also not the sharpest
Specifications
Mount: Sony E
Lens construction: 15 elements in 10 groups
Angle of view: 8.3-34.3 degrees
Minimum focus distance: 0.8m
Maximum magnification ratio: 0.11x (W) 0.2x (T)
Filter size: 67mm
Dimensions: 77x148mm
Weight: 545g
Reasons to buy
+ Very light and portable Highly affordable
Reasons to avoid
- Edge sharpness issues Basic feature-set
Tamron has carved out something of a niche making affordable lenses for Sony E-mount, and a fair few of them have been really quite impressive. The Tamron 70-300mm f/4.5-6.3 Di III RXD is not the sharpest tool in the box, nor the most sophisticated, but it is a pretty capable telephoto available at a very reasonable price, and should especially suit users of cameras at Sony's cheaper end, like the A6000 series of cameras
Central sharpness is excellent on this lens, but it does fall off towards the edges of the frame. It's also worth noting that the lens has no optical stabilisation, so if you're using an older camera without IBIS, you might find pin-sharp shots a little more difficult to achieve. It's not a ruinous issue, just something to bear in mind.
Tamron 70-300mm f/4.5-6.3 Di III RXD review
29. Sony FE 70-200mm F4 Macro G OSS II
The best portable telephoto for Sony's full frame mirrorless cameras
Specifications
Mount: Sony FE
Autofocus: Floating focus system
Optical stabilizer: 3-stop
Minimum focusing distance: 0.26-0.42m
Maximum magnification ratio: 0.5x
Filter size: 72mm
Dimensions: 82x149mm
Weight: 749g
Reasons to buy
+ Excellent handling, lightweight build Superb sharpness 0.5x macro magnification
Reasons to avoid
- Only f/4 not f/2.8 Modest 3-stop stabilization
If money is no object, Sony’s FE 70-200mm f/2.8 G Master OSS is a cracking telephoto zoom. However, it’s a weighty beast at 1,480g and feels a bit of a mismatch for slim-line A7 and A9 series camera bodies. This f/4 model is much more manageable, tipping the scales at just 749g, and it’s much more affordable to buy. Plus, with a 0.5x magnification factor, you get a pretty workable macro lens for close-ups into the bargain as well.
The spectacular image quality will help soften the blow of missing a stop at the maximum aperture, and the telephoto focal length means it's still fairly easy to separate subject from background and get that beautiful bokeh. Autofocus is reliably fast and accurate, and the stabilisation system provides up to three stops of effective compensation — nothing to write home about, but not bad!
Read more: Sony FE 70-200mm F4 Macro G OSS II review
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30. Sony FE 100-400mm f/4.5-5.6 G Master OSS
A high-performance Sony mount super-tele zoom with great handling
Specifications
Mount: Sony FE
Lens construction: 22 elements in 16 groups
Angle of view: 24-6.2 degrees
Minimum focus distance: 0.98m
Maximum magnification ratio: 0.35x
Filter size: 77mm
Dimensions: 94x205mm
Weight: 1,395g
Reasons to buy
+ Great sharpness and contrast, nice bokeh High-end handling characteristics Works with 1.4x and 2x tele-converters
Reasons to avoid
- Pricey to buy Less expensive FE 200-600mm has more reach
Barely any larger and slightly lighter than Sony’s 70-200mm G Master, this super-telephoto lens has a fundamentally different design, in that the inner barrel extends as you stretch through the zoom range. Even so, it’s very solid and well-built, with similar handling characteristics that include dual-mode optical stabilization for static and panning shots, an autofocus range limiter switch, and multiple autofocus hold buttons.
The 100-400mm lens also adds an adjustable friction damper for the zoom ring, due to the telescoping nature of the design. The optical path includes two ED (Extra-low Dispersion) elements and one Super ED element, while autofocus is driven by the speedy combination of a double linear motor plus a DDSSM (Direct Drive Super Sonic Motor). Sharpness and contrast are excellent, as is the creamy quality of bokeh, but the optical stabilizer has lackluster performance unless combined with in-body stabilization on later Sony camera bodies.
Read more: Sony FE 100-400mm f/4.5-5.6 G Master OSS review
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How we test lenses
We test lenses using both real world sample images and lab tests. Our lab tests are carried out scientifically in controlled conditions using the Imatest testing suite, which consists of custom charts and analysis software that measures resolution in line widths/picture height, a measurement widely used in lens and camera testing. We find the combination of lab and real-word testing works best, as each reveals different qualities and characteristics.
How to choose the best telephoto lens
If you're embarking on handheld telephoto shooting, image stabilization can be a huge help for getting consistently sharp shots. The optical stabilizers that built into telephoto lenses often come with auto panning detection, or give you the option of manually switchable static and panning modes. The latter means that when panning horizontally, stabilization is only applied in the vertical plane.
If you're using a camera that features sensor-shift stabilization, optical stabilization is less important and many manufacturers will omit it in the design of lenses compatible with these cameras. However, some will allow the optical and in-camera stabilization systems to work in tandem, delivering even more stabilization than either system would on its own.
For full-frame cameras, the most budget-friendly telephoto lens is usually a 70-300mm telephoto zoom with a variable aperture rating, typically going from f/4 to f/5.6 throughout the zoom range. This type of lens can generally be squeezed into a very compact body, making them more portable than similar optics,
The next step up for full-frame cameras is a 70-200mm lens. It might seem strange that a more expensive class of lens has less powerful telephoto reach, but the main advantage here is that these lenses will generally have a faster aperture rating of f/2.8 or f/4, and it will remain constant throughout the entire zoom range. These lenses are favoured by professionals, and so unsurprisingly, 70-200mm f/2.8 telephoto zooms can be much pricier. They're often heavier too, as the diameter of optical elements towards the front of the lens needs to be a lot bigger. You don't get the zoom range of a cheaper telephoto lens, but you do get a big jump in image quality and low-light performance, and better separation between your subject and its background, thanks to the wider lens apertures.
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FAQs
Should i get a full-frame or APS-C telephoto lens?
Lenses are designed to match the size of the camera's sensor, so they are either 'full frame' lenses or 'APS-C' lenses.
You can use full-frame telephoto zooms on APS-C format Canon, Nikon and Sony cameras. The 1.5x or 1.6x crop factor boosts the ‘effective’ telephoto zoom range giving you much more powerful reach. Another bonus is that you’ll only be using a relatively small, central area of the image circle produced by the lens, where image quality is at its best.
But you can also get lenses that are specifically designed for APS-C sensors. The advantage is that they are smaller, lighter and less expensive than full frame lenses. However, you can't use these APS-C lenses on full frame cameras (not without using 'crop modes' which you will want to avoid.
A full frame lens is ideal for both camera sizes, but getting an APS-C lens for an APS-C camera can save both weight and cash.
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Read more:
• These are the best lenses for landscapes right now
• We pick the best budget telephoto lenses
• The best lenses for bird photography
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Matthew Richards
Matthew Richards is a photographer and journalist who has spent years using and reviewing all manner of photo gear. He is Digital Camera World's principal lens reviewer – and has tested more primes and zooms than most people have had hot dinners!
His expertise with equipment doesn’t end there, though. He is also an encyclopedia when it comes to all manner of cameras, camera holsters and bags, flashguns, tripods and heads, printers, papers and inks, and just about anything imaging-related.
In an earlier life he was a broadcast engineer at the BBC, as well as a former editor of PC Guide.
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